DNF - You know what they say, there's a first time for everything. And so A Psalm for the Wild-Built gets the ignominious distinction of going down as the first time ever I've given up on a novella, because I honestly can't stand to go on for another page.

There's something about Becky Chambers' writing that just doesn't work for me. How to describe it? Obviously, I know she writes cozy, so I try to align my expectations accordingly, but that's not quite it. Rather, it feels like everything is filler in service of a broader message. There's so much description and so much information, yet there is no point in knowing any of it. It's like all worldbuilding and setup, but the whole story consists of nothing but that.

Put another way, stories are normally either character driven or plot driven, and I happily accept both. But here, the characters aren't fleshed out and there's no plot whatsoever. Instead, the writing feels predominantly message driven, which I have a lot of trouble with. My mind keeps blanking out because I'm not actually reading anything of substance, so I can't retain any of it, no matter how hard I try.

It honestly pains me to finally get to an author everyone else is raving about, only to find out unequivocally that they are not for me. I have now read two Becky Chambers (her two most popular ones) and both were DNFs for me. That is about the worst I have ever done, but it is what it is. At least now I know for certain and no longer have to wonder if I'm missing out on anything.

Readaroo Rating: 2 stars

DNF - I think I started with the wrong Becky Chambers, because what in the galaxy is going on here? Or rather, not going on?

I knew before I started that this was a cozy, but I didn't realize cozies could be so low stakes as to be no stakes. So far, we've met every single resident on the spaceship, each overly friendly and sweet in their own way. We've also engaged in thinly veiled lessons on not making assumptions about other cultures and how every person can be beautiful no matter what they look like, along with an in-depth discussion about AI sentience and autonomy.

That's all great, don't get me wrong. But where is the tension, the plot, the anything? So far, my jaw's been getting a good workout from excessive yawning, but that's about it.

It's totally possible that if I kept going, this would've grabbed me eventually. But in my effort not to put myself into reading slumps, I think I'm going to call it. I'm not giving up on Becky Chambers just yet though. I'm going to move on to her novellas and see if they're more my speed.

Readaroo Rating: 3 stars

When you talk about stories that pack a punch, The Language of Liars sure got me pretty good. And the fact that it's a slim 150 pages? Well, that just means the wallop was even more powerful.

I went into this not quite knowing what to expect. All this talk about language and linguistics means I can't help but compare it to another book that came out not too long ago. (If you know it, you know it.) That book was excruciating long and dull and preferred to beat the reader over the head with its simplistic messages. Was I in for the same treatment here?

Thankfully no. Though both tales centered around the insidiousness of colonialism and using language for power, the execution couldn't be more different. This story felt unique, innovative, and provocative, and it's exactly the sort of memorable tale I'm always searching for.

If you know me, you know I'm a bit of nut for science fiction. It's probably my favorite genre, and when done right, it encapsulates all that makes us human—our endless need for exploration and connection and compassion. And that's exactly what we get here. Our main character Ro isn't even human, yet his quest to understand different species and languages and cultures, as well as his moral dilemmas, couldn't be more relatable. (In fact, it reminded me a lot of Star Trek: The Next Generation, an old fav of mine.)

The way this story builds up is quite masterful, all reaching towards a climax that's about as striking as you could hope for. It's been a while since a story has so thoroughly and metaphorically beaten me up, so I'm definitely going to be remembering this for quite a while.

Regarding the length, I've been loving novellas more and more recently. The shorter format means we don't have any time to waste. There's no long winded worldbuilding, no getting stuck in the weeds. The more compact style of storytelling necessitates jumping straight into the good stuff, and in return, the narrative demands our upmost attention in order to follow along.

A quick note—there is a fair bit of linguistics jargon in here, especially in the beginning, but don't let that bog you down. You don't need to grasp all the technical terms in order to understand or appreciate the tale. Just try to power through it and you'll be richly rewarded. In fact, once I got through the initial pages, I read the rest of the book in one long inhale.

If you're a science fiction nut and the sort to enjoy a story that's both stimulating and brutal, don't let this one pass you by. I bet you're going to be remembering it for a long time too.

Readaroo Rating: 4.5 stars

You are the first delivery of human pioneers to Mars. There is no going back. . . . You must continue.

Let me first pause and take a deep breath, because what the heck did I just read? I'm always looking for that perfect Mars exploration story—you know, the one where astronauts land on the red planet and strange things start to happen—and wow, did this deliver. I feel like I've been walloped, again and again, and I loved every second of it.

I was drawn to this book initially because the blurb mentioned locked-room mystery set on Mars, and of course, I tripped all over myself trying to get my grabby hands on it. But to call this a mystery is to sell the story short. It is that, but also so much more.

We slip seamlessly into the mind of Dana Gold as she comes out of deep sleep, one of three astronauts aboard the vessel that's about to deliver them onto Mars. Bots have been sent ahead to build the habitat that will be their forever home and to welcome them onto this desolate planet. But they've lost communications with the bots, and that's only the beginning of their troubles.

This tale grabbed me immediately. The science fiction component is so interesting and unique. The worldbuilding isn't centered around technology, but rather, there's a lot of humanity woven into it. The bots are made by humans and are therefore in our likeness, even if their makers didn't intend for that to happen. And so the evolution and the interaction of the bots is a fascinating and crucial focal point of the story.

But if you're not usually a reader of science fiction, don't let the setting scare you away. The backdrop of Mars is simply the starting point from which this story can take off. It isn't about Mars or space or robots. It's about humans and what we would do when pushed to the limit.

The horror element comes on slowly. We see Gold's thoughts and emotions as things start to go wrong. The horror isn't in the physical, but rather the psychological. There is a lot of exploration about where horror comes from, if it is within us humans and we manifest it in ourselves and the things we build, or if it comes from outside sources, both the known and the unknown. It gave me the chills, and I found it to be absolutely fascinating.

Because this is a novella, there is an economy to the writing that makes every moment count. We don't get mired in unnecessary explanations, we don't get stuck in overly emotional ruminations. We go from scene to scene, each one so propulsive, so tautly suspended, it felt like I was holding my breath the whole time.

I honestly haven't been this excited about a sci-fi and horror blend in a long time. The only thing is, after reading this, I'm definitely giving up my dreams of becoming an astronaut and ever going to Mars.

Readaroo Rating: 5 stars!

I have to be honest, this is a case where the story on the pages just wasn't as interesting as the premise would lead you to believe.

Dorothy wakes up in 1954 on a transport bus bound for Hanover State Psychiatric Hospital. She has no memory of who she is, but the one thing she does know is that she isn’t Dorothy. She has visions of a future where she’s someone named Bix sent back to 1954 on a mission to save the world. But the longer she's held at Hanover, the more she is forced into believing she is Dorothy. So which version in her mind is real—Dorothy or Bix?

That’s a cool premise, right? There's so much potential here, so many different ways this story could've unfolded that's both brilliant and riveting. But unfortunately, none of those things happened and what we end up with is surprisingly banal.

One of the major problems here is that we spend too long in Dorothy's head as she's subjected to endless psychiatric treatments while trying to puzzle out the question of whether she’s really from the future. Now, this would've been more interesting to us readers if we shared the same puzzle, but we don't. We know she's from the future because otherwise, what kind of pointless nonstory would this be? She'd just be a mental patient making everything up, which could be a story, but not this one because this one's billed as sci-fi. So it’s clear to us what's going on right from the beginning even if it’s not clear to Dorothy, but we still have to stick around for 200 pages while she figures it out.

But that's fine. I'm not against a long setup if it means the payoff is spectacular. But here again, it was inexplicably disappointing. Instead of choosing to flesh out the sci-fi and speculative elements of this book (the whole reason I'm reading this), we choose to focus on one action scene after another—of running, crouching, hiding, dodging—interspersed with the sort of no show all tell infodump that makes me want to abandon reading as a hobby.

Tabula Rasa, Reckoner, Reclamation, The Guest, New Covenant—it all certainly sounds impressive, I'll give you that. But just because you name some simple concepts with important sounding words doesn’t make it any more compelling, and that’s never been more true than here. While the terms might sound fancy, I can’t help but feel that they’re thinly veiled disguises for just how poorly sketched out the future really is.

Then there is Dorothy, secret agent extraordinaire, except she keeps messing things up during crucial moments. She needs to slowly walk across the field to avoid attention? Oh no, she panics and breaks into a run and everyone notices. She has the key and just needs to get to the door and escape? Oh no, she accidentally screams and alerts everyone. She has to read a secret message on a piece of paper and then destroy it? Oh no, she leaves it face up across the room for all to see. Like, come on! What kind of dumb fuckery is that.

But it wasn't that bad, if you can believe it. Even with my long list of complaints, this somehow managed to remain a three-star read until almost the very end. At that point, we are hit with the most lazy non-ending I have ever come across. One of the final lines of this book is Dorothy asking herself:

Will I be able to pull it off? . . . Don't know.

And that's the end, ladies and gentlemen. Like what the heck! Where is the payoff, the resolution, the closure? I'm having a hard time believing this isn't some sort of joke, but no, it's all written there in black and white, clear as day. So yeah, I'm going to have to deduct a star for that.

It took me a bit, but towards the end, I finally figured out what was so off about this story. It's constructed like the pilot of a tv series. Each scene is there for maximum tension, all the while not actually giving you much nor moving the plot forward. It tries to stretch the thinnest of plotlines into the most number of episodes, and it even ends on a cliffhanger just to entice you back. No, thank you.

Readaroo Rating: 2 stars

There was a time back in the day when I couldn't get enough of space adventures. I remember being in college, going to the library with every intention of studying for a final, then promptly picking up a Mars exploration/first contact novel sitting right there in my line of sight. Needless to say, I got not a lick of studying done that day, but I did have a wildly entertaining time.

So picking up The Last Astronaut was a no-brainer for me. Here comes an unusual object, heading directly our way. Is it an asteroid? A comet? But no, lo and behold, it's alien technology. Our only course of action is to send up some astronauts to meet and greet this object and hopefully convince the aliens not to annihilate us.

This has all the bones of a rip-roaring space adventure. The premise is fascinating, the action nonstop, and the stakes could not be higher. David Wellington's plot-driven writing style pairs well with this sort of tale, and before long, I'm sucked into the narrative.

I loved all the developments in here, especially when it came to the aliens. Even being quite familiar with this genre going in, I still feel like there were a lot of surprises in store for me. Everything came together seamlessly and with so much satisfaction, I have to give kudos to the author for having thought it all up.

But story's pacing was quite uneven, and it almost did me in a few times. Yes, there were many exciting moments, but they were often sandwiched between many excruciatingly slow and plodding ones. Each of the "excursions," in particular, felt like thousands of pages long. There were moments when I thought I'd read a hundred pages, only for the page count to tell me it was more like ten.

I feel like this was a case where the story, in its effort to immerse the reader and convince us that everything was indeed real, spent too much time on every minutiae of detail and not enough time on the truly revelatory moments. As a result, the exciting bits passed by in the blink of an eye, while the tedious ones (of walking, climbing, crawling, running) seemed to go on and on.

With regards to the characters, I'll say this — if Earth were really under attack from aliens, I'm not sure this group of astronauts and government officials would be the ones I'd want to save us all. They were not the brightest bulbs in the shed, and a lot of the issues that arose came directly from their collective poor planning and inability to communicate.

Still, I can't deny that this story had its moments of fun and excitement. I would recommend it, but maybe only to a select audience. If you're an avid fan of first contact stories, this is well worth a spot on your TBR. If not, then you can probably safely skip this.

Readaroo Rating: 3 stars

I hate to say it, but this isn't sci-fi. It's more of a mystery/thriller and an overly sappy one at that. And I guess I just wasn't in the mood for such a thing.

The premise is certainly enticing. Four strangers travel to the past to revisit the day their lives changed forever. They were only supposed to be there for an hour, but soon find themselves trapped for days and days. And when their paths start to cross, they realize maybe they aren't the strangers they thought they were.

No complaints from me about the way this story kicked off. I found the initial chapters with the four different characters to be riveting, and I settled in, thinking I was well on my way to a unique and fascinating read. But then as the characters' lives began to intersect, I started to get the feeling that maybe this isn't the mind blowing speculative fiction I thought it was going to be.

The problem is that we start near the end of the timeline, so we already know most of what happens, if not the how. Then we jump three years into the past and slowly fill everything in. This structure makes it so that by about halfway through the book, all the pieces are in place and we have a pretty solid idea of how it will all play out. After that, there are no more surprises. From then on, the book proceeds to spell out in long form what is already obvious.

I don't have to have surprise after surprise in the books I'm reading, but to remove all elements of the unknown does mean a book would have to work extra hard to keep my attention. And unfortunately, this one didn't quite succeed.

It doesn't help that I can't seem to connect with these characters. No matter how difficult and complex their problems—and they had some gnarly ones for sure—every single one of them was resolved neatly and with much emotional fanfare. Every single character got their moment of enlightenment, and that one scene, one conversation was all it took for them to be happy and fulfilled.

Maybe I'm a cold hearted reader, but I just don't buy it. There is no way real people would behave like that. It's ludicrous to think that no matter what losses we suffer, be it our children or our limbs, that we would only need to hug it out before resuming our normal lives. And these pivotal scenes were often padded with so much saccharine mush to up the emotional ante that I had a lot of trouble keeping my focus.

What happened to finding out more about the time traveling tech or the glitch that stranded these travelers in the first place? It was such a disappointment to come to the end of this book and realize that those questions would never be answered. Clearly, the time traveling was just a way for the author to tell her story in a slightly different, nonlinear way and once that was done, the plot device could be tossed aside and forgotten.

Sometimes when a book isn't what I'm expecting, I can still adjust and end up enjoying it. But in this case, there just wasn't enough of what I wanted and too much of what I didn't want for that to happen.

Readaroo Rating: 3 stars

What the heck was this? I think I'm going to need a few more rereads to wrap my head around it all.

When it comes to speculative fiction, you just never know what you're going to get. Sometimes there's a great premise, but no follow-through. Sometimes the premise comes across a bit middling, but it turns out to be a terrific story. With this one, I feel like Nicholas Binge really went all out. The premise was super interesting to start with, and it just got crazier and crazier from there.

Whether you would enjoy this story depends on a few things. To start, you have to be able to maximumly suspend disbelief. Okay now that you've done that, you need to suspend it some more, and then some more, and then some more. And you will finally have reached the level of suspension required for this story. It was so wacky that at times, I even found myself unable to buy into it.

You have to also be able to wait for the payoff. The story starts off fairly slowly. It's a complicated plot, and many, many pieces have to be set up along the way. I'm feel like not much happens until well over a hundred pages into the book. Even then, you're getting information at a trickle, and it's not until the last few chapters that things really come together.

You have to also be able to enjoy a fairly technical level of science fiction. That isn't to say there is a lot of actual science in here (because this is more speculative than hard scifi), but there is a lot of discussions around philosophy, science, and biology. At times, it even veered into the supernatural, which was definitely a bit of a stretch for me.

And finally, you have to be okay with multiple, possibly confusing, timelines. The story is set up like a dual timeline, one in the present and one in the past. But the present one is mostly a recount of another time, so what you actually have is a third timeline embedded in there. And quite frankly, that's probably one too many for me. I did have moments when I got confused as to when/where I really am in the story.

Gosh, that all probably sounds more negative than positive. And to be honest, I did feel very conflicted while reading this. I don't think I really bought into the story until more than a third of the way in, and even then, things kept coming up that would throw me for a loop and make me rethink if I'm actually enjoying it.

And yet, when I came upon the denouement, I can't deny that I found it supremely fascinating. So many of the clues that were laid out earlier—and even some of the components I wasn't a fan of—all came together in such a satisfying way, I can't help but bow down to Nicholas Binge. Well played, sir.

I think it's safe to say this wasn't a homerun for me by any means. But it's one of those books that's so interesting, it has a way of burrowing into your mind and staying there. Even now, I'm thinking back on it, pondering over what I understood and what I missed. Even though I didn't love everything in here, I'm compelled to reward it for leaving me so thoroughly stunned.

Readaroo Rating: 4 stars

True storytelling has always been one of the few great things humanity could produce that no automation could.

Wow. It is not often I am without words, but Death of the Author has left me speechless and astounded.

I don't even know how to talk about this book because it isn't like anything else I've ever read. I'm going to try to come at it from a few different angles, so bear with me as I get my thoughts and feelings untangled here.

First, the genre. This is the perfect symbiosis of science fiction and contemporary lit. (If you're already thinking to yourself, huh? Yeah, like I said, you haven't seen anything like it before.) We alternate between the story of the writer, Zelu, and the story within the story of the robots, and each is its own riveting tale.

Zelu's narrative is instantly arresting. There is a lot going on, so I imagine every reader will bring their own experiences into it and take away something different. Racism, ableism, fame, social media, societal and familial pressure, the immigrant experience in general and the Nigerian American experience in particular were all integrated seamlessly and explored deftly within this compelling narrative.

Zelu is so richly drawn, she just leaps off the pages. You don't see many books featuring disabled main characters, so my interests were instantly peaked. Then the more I got to know her, the more dynamic and fierce she became. I wouldn't say she is particularly likable, but she's undeniably fascinating. And this narrative is her journey of formation and transformation, her coming of life, if you will.

Then we arrive at my favorite part of the book, and that is the robot story. (Come on now, you know how much I love sci-fi, so you can't possibly be surprised.) I adored every minute of this science fiction journey. It was such a creative tale through and through, embedded with social and political commentary relevant to our times. Every scene felt both captivating and profound, and it evoked such WALL E-esque feelings in me.

What does it mean to hold onto humanity when there are no humans left? And can the power of storytelling transcend those who invented it? Those are the questions Ankara the robot faces as she traverses a post-human apocalyptic world to make sense of herself and what's around her.

I know a lot of people think science fiction is inaccessible, but to me, the best of this genre always zeroes in on precisely what it means to be human. It encompasses our hopes and dreams, our emotions, our faith, and our will to survive. And so this story does too.

With her clear, precise prose, Nnedi Okorafor is able to hold a multitude of emotions within her sentences. They evoke feelings of love and conflict, logic and passion, nostalgia for the past but also hope for the future. To write a story partially from a robot's point of view and to inject so much emotion into the whole thing is nothing short of remarkable.

To experience this story and to see the two narrative strands weave back and forth, reflected in each other, as they slowly grow closer and closer, is to watch a master storyteller in action. And that ending, goodness me. I'm going to need many moments (days, weeks, months) to think on it and then think on it some more.

You know that feeling you get when you're in the midst of an extraordinary book, where every page causes goosebumps on your arms and tingles to run up and down your spine? And the moment you're done, you just want to go back to page one and start all over again? Well, that's this book right here.

More than anything, this pays homage to the power of storytelling. If you're a reader—and surely we all are—then this book comes as close as any to put into words why we read and what stories do for our hearts and our souls.

“I feel satisfied, but also not. It reminds me of myself, but it is not about me. I feel like I’ve met those I have never met. I’m thinking things I never thought before. I have many questions. Will you help me understand this?”

A singular and audacious tale deserving of all the praise. Surely one not to be missed.

Readaroo Rating: 5 stars!

Calling all fans of science fiction—if you haven't read The Illuminae Files, what the heck are you waiting for?

Here we have reached the final book in this trilogy, and what a stunning culmination and conclusion it is. You know what this reminds me of? It reminds me of being a kid and reading for the pure joy of it. There are no themes to dissect, no greater takeaways to suss out. It's just a rip-roaring good time you can sink your teeth into, and the experience is so immersive, the line between the real and the fictional starts to blur.

The first time I read this series, I was fairly new to science fiction. So of course I made the mental mistake you always make when it's your first of anything. You assume what you got was fairly common and there's plenty more like it out there, so you use that to set the bar for average. Well, imagine my consternation when, after years and years of reading sci-fi, I realized that I actually read one of the best in the genre right off the bat, and I'm never really going to find another one quite like it.

I think you guys know my love for science fiction by now. But on the off chance you don't, please allow me to wax poetic for a moment here. Science fiction will always rank high on my list of favorite genres, if not at the very top spot. And that's because of how bold and imaginative it is. When done well, it takes you to places you've never been before in ways you've never encountered. And that's exactly what this series does.

There is something so audacious about every aspect of this story. The characters are about as brave and badass as you can hope for, putting their lives on the line again and again to save those around them. But they don't just brute force it. No, they use their brains to outwit their enemies, and you guys know I can't resist that. The dialogue in here is so snarky, whip-smart, and funny, to call it banter seems like such an understatement. And the plot surprises at every turn. Just when you think you've got a grasp on what's going on, well you didn't see that coming, did you?

Its format is as interesting as it is groundbreaking. The dossier-like style matches up perfectly with the action-driven plot, and together they seamlessly weave a story that is hard to look away from. You know that feeling of having your heart in your throat? That's exactly every moment of this book and this series in a nutshell.

But it isn't just action scene after action scene. The very best science fiction is profoundly moving, asking us to think deeply about what it means to be human and what price we would be willing to pay to protect that humanity. And so this series does too, reaching deep into our conscience to ask those searing questions.

The only minor drawback to this series is that it's young adult. The heroes and heroines in here are unabashedly teenagers, with their attitudes, romances, and cheesiness all rolled into one. And while there's nothing wrong with that per se, it is several decades in the past for me now. But over the course of three books, their courage and bright-eyed idealism won me over, and so did their hip lingo. I guess what I'm trying to say is, don't let the YA part dissuade you, even if you're an old fogey like me. If you can look past it, there is as good of a sci-fi story here as any adult ones I've come across, and it just might get you in touch with your younger self.

This whole series has felt so bold and fearless, taking the reader on a sublimely imaginative ride. And this third and final book does the series justice, bringing an epic conclusion to that breathtaking journey. Along the way, it left me in awe and gave me all the feels.

I guess my only remaining question is: when are they going to turn this into a movie? Someone needs to get J.J. Abrams on the line stat because the only thing that could make this even better is copious amounts of lens flare.

Readaroo Rating: 5 stars!

Say no more. The Illuminae Files is going on my favorites list of all time for sure.

First of all, let me just take a moment to breathe after finishing Gemina. Like, wow, talk about an adrenaline rush. From the moment I cracked open that first page, the story immediately grabbed me. It was nonstop action from there, the sort that has your heart in your throat the whole time, compelling you to forsake all else just to read a few more pages. If there were a scale for unputdownableness, with 1 being a cure for insomnia, and 10 being better than crack, this would rate somewhere around 15.

Everything I loved about the first book was here—the unique format, the relentlessly fast pace, and of course, the most crazy, mindbending story.

This trilogy is first and foremost a science fiction one, and I have to applaud how well done it is. Sometimes science fiction gets a bad rap for being a genre that's difficult to understand and hard to get into. But this series totally blows that assumption away. It is science fiction at its most fun and entertaining, while retaining the epic scope that the genre is known for. And the end result is the most imaginative ride of your life.

The format that had me all agog in the first book worked even better here. In addition to the dossier-like chats, memos, and audio and video transcripts, this book also contains fabulous drawings and an ever-updating roster of the invaders, both of which added a richness and immediacy to the story.

In terms of the characters, I found Hanna to be a completely badass heroine. Her courage and fearlessness is exactly the sort I love in my female characters, and it was so much fun to cheer her on. While this book still keeps to the YA genre by sprinkling in lots of silly teenage love, it felt less cringey than in the first book, at least to me. Whether that's because there's actually less of it or I'm just getting used to the cringe, I can't say for sure.

When was the last time a series has worked its way into my thoughts and my imagination as deeply as this one has? I honestly can't remember. Every time I pick a book in this trilogy, I'm just in awe of its immense creativity and fun. If you're a fan of science fiction (or you just like a good story), you have to check this out.

Readaroo Rating: 5 stars!

Truly one of those books that breaks ground, Illuminae is a story told in a format that is as immersive as it is memorable.

First, to set expectations correctly, you have to understand that I love all things space. Space battles, space tech, space rescues—you name it, I am so there. The more dramatic, the better. And on top of that, if you sprinkle in some mysteries (medical or otherwise) and an AI gone rogue, well, let's just say I'm pretty much putty in your hands. In fact, since we're being honest, I'll confess that Power Rangers was my favorite show growing up. So before I even started on this, it was already a foregone conclusion that I was going to love it.

Gosh, how to describe what a crazy, joy-filled ride this turned out to be? I love high-octane, plot-driven stories, and that's exactly what this is. The action starts right off the bat and doesn't let up. But it isn't action for action's sake. Rather, each part is necessary and sets the scene for the next, building up until we get to the explosive and heart-stopping finale.

A large part of why this story is so thrilling is its format. It's composed like a dossier, filled entirely with transcripts of interviews, memos, video and audio material, and illustrations. It reminds me a lot of the experience of watching a movie, though on paper. It's tremendously creative, and I can't help but marvel at the ingenious design, which pulled me into the story and kept me rivetted.

This is a YA book, so do set your expectations accordingly. There is a romance in here that at times induces quite a bit of eye-rolling, and the dialogue can be both snarky (yay) and cringey (nay) in the way of teenagers. But hey, at least it feels authentic to the age of the main characters. Overall though, it wasn't too bad and I was able to look past it to the awesome space-story within, and that's saying something coming from an old fogey like me.

One thing to note is that this book came out in 2015, and while it has aged well for the most part, there is one exception. A member of the supporting cast has certain characterizations that left me feeling a bit icky, and I imagine, given the chance to do so again, the authors probably wouldn't have written him in this way. While it's just a few words here and there, it is rather unfortunate, so just be aware if you're going into it now that it may be a bit offensive to today's sentiments.

As a whole, I have to say this book left me pretty speechless. The incredibly innovative format of the story made for a truly special and immersive reading experience, one unlike any I've come across before.

If you're a space aficionado like me, I can't recommend this enough. Just be sure to pick up the physical book instead of the e- or audio versions for maximum enjoyment.

Readaroo Rating: 4 stars