"Why aren’t we all just fucking dead, really? It is most troubling to me."

Ah yes, it has been a bit. But it also feels like no time at all has passed since I was last in the company of my favorite investigative duo.

There's nothing quite like picking up the second book of a promising series. Of course there's tons of excitement and anticipation, but if I were being totally honest, there's also no small amount of doubt coloring the whole thing. After all, what if I imagined my enjoyment of the first book? What if what I took for brilliance and intrigue was in fact mediocrity catching me on a good day? But have no fears here, my friends, for A Drop of Corruption was every bit as good as its predecessor.

Let's talk about the mystery first. As usual, we are immediately dropped into the thick of things. A treasury officer has disappeared, but he did so in a room where all the doors and windows are locked from the inside. Hmm, so a proper locked-room mystery? Challenge accepted!

But that was just the start, and perhaps the easiest part. Because from then on, Ana and Din follow an ever more complex web of secrets and red herrings and misdirections, all building up towards the big finale. And what a finale it was, as satisfying and inevitable as you would expect from the best mysteries.

Speaking of, if you've read enough of this genre and have thought about its inner workings, then you know what makes a good mystery—they can be as complicated and intricate as you'd want along the way, but when you get to the reveals, they must be clear and straightforward, as if you’re uttering nothing more than the unavoidable truth. And Robert Jackson Bennett has not only cracked the crux of this principle, but he is able to execute on it again and again.

The writing is as sharp and engaging as ever, with a hint of the droll wit that I've come to associate with this series and its characters. It pulled me in and kept me riveted throughout. Normally with a book, when I put it down and then picked it up again, it takes me a few pages to return to the world inside. But with this book, my mind snaps to it immediately, never wandering, never wavering as I devoured the tale within.

By the way, did we see that the series rebranded from Shadow of the Leviathan to Ana and Din Mysteries? I'm so glad. The old name felt a bit lumbering and awkward, misleading you into thinking that the books were predominantly fantasy instead of what they really are, which is mystery forward in a fantasy setting. But the new name corrects that, making it clear that this is first and foremost a mystery, with our eponymous characters at the helm, sussing out all manners of secrets and depravity across the Empire.

All that is to say, if you're a fan of mysteries and have been holding off on this series because of its fantasy element, let me give you a nudge. The mystery components in here are so well done, it would be remiss for any fan of the genre to miss it. But on the other hand, if you're already a reader of both genres and just haven't gotten to this series yet, well, what the heck are you waiting for?

Readaroo Rating: 5 stars!

To be honest, I thought Every Summer After did Charlie dirty. So I'm glad in One Golden Summer, he finally gets the story and the happily ever after that he deserves.

Cracking open this book and stepping back into Barry's Bay was a bit like coming home. I fell in love with this lakeside town during Sam and Percy's story, and was forlorn at the prospect of having to say goodbye. So when I heard there was a sequel, of course I jumped at it. To get the chance to visit Barry's Bay again and see Charlie's love story come to fruition seemed like a dream come true.

The progression of Alice and Charlie's relationship was surprisingly refreshing and relatable. It didn't quite fit with many of the exaggerated, well-worn romance tropes out there as is often the case with this genre. Instead, we have the simple story of boy meets girl, boy and girl are attracted to each other, but along with the intrigue also comes some reservations. And what follows is a friendship first, with benefits, that then blossoms into real love.

All the things that make a romance compelling—the yearning, the sizzle, the genuine connection—were here by the bucketful. And the things that readers usually cringe at—dramatic breakups and miscommunication—were kept to a minimum. Instead, we just have two authentic characters slowly and surely getting to know each other. And as we come to understand their reservations, they made sense and provided the necessary tension to move the story along without being too over the top.

There’s something about Carley Fortune’s writing that is instantly transportive. It's suffused with the sort of longing for the carefree days of youth that I think everyone can relate to. It's nostalgia at its purest form, a wistful affection for the lost days of summer that feels comforting and bittersweet at every turn. To read her books is to be swept away to a younger version of ourselves, one where the limitless possibilities of life still stretch out in front of us.

There is a keen awareness throughout the story of time and its forward march. Charlie's grief over the loss of his parents is a testament to that, as is Alice's bucket list for her seventeen year old self. And her work as a photographer, capturing brief moments and slices of life, was a way of trying to hold on to all that is fleeting and ephemeral. That awareness helped elevate the book to a new emotional height, one that kept me in its grips throughout.

This was a wonderful read. Fortune's nostalgia-tinted writing felt like magic. I laughed, I cried, I was swept away. This was first and foremost a romance, but it was also a love letter to Barry's Bay, a reverent nod to the golden days of summer, and a gentle reminder to live life to its fullest while we still can.

Readaroo Rating: 4 stars

A killer who only targets one specific address? Color me intrigued.

When it comes to thrillers, the premise matters a great deal. A good one serves as a natural jumping off point, one that gives the story room to breathe, room to grow, and ultimately, room to wrap up. The premise should encompass all the possibilities that follows, as well as allow for a progression of the narrative arc that eventually leads to a satisfying conclusion. And 138 Main very much took advantage of its terrific premise.

The format was in the vein of a police procedural, so we follow seasoned FBI agent Ben Walker and rookie Zoe Hill as they scramble to get one step ahead of the killer. Zoe, in particular, was a clever and likable main character, so her investigation made for a compelling read. As bad stuff starts to happen and we check in with victims and would-be victims living at the eponymous address, the sense of urgency and pressure really amps up.

From cover to cover, this was so much fun—it's fast paced, high stakes, lots of action, with the sort of interesting developments that kept me glued to my seat. When the buildup is so good, there's always a question about whether the story can deliver in the end, and it did so here, wrapping everything up neatly and with much satisfaction.

You can always hook me in with an intriguing premise, and they don't come any more enticing than this. If you're in the market for a book to get your adrenaline going, it's worth checking this one out. It's been coming in a bit under the radar, but it's exactly what I would want for a cinematic, high-octane thriller.

Readaroo Rating: 4 stars

Sorry to say, but the characters in The Shampoo Effect had the emotional intelligence of slugs, so it was hard to get into a story like that.

The premise was interesting enough. Caroline goes off to Greenhead to work on her writing and falls in love with local boy Van, who then introduces her to his ragtag group of close friends. But it soon comes out that his ex is pregnant with their child, and so chaos and hilarity ensues. Or rather, I thought hilarity would ensue. But instead, I just got a lot of whatever the female equivalent of bro vibes is and the sort of drunken idiocy I haven't seen since college frat parties.

All the characters in here were really something. Clueless, self-absorbed, mean and cliquey, they really embodied the worst of growing up (or not growing up, as the case may be). We follow them as they drank and did weed and mushrooms, acting like fools and occasionally throwing in a game of truth or dare just to liven things up. But lest you think this was a story about teenagers, they're actually adults in their thirties with children of their own.

And so the stupidity continues. The problems were real, but the way they dealt with them was distinctively immature. Everyone's favorite miscommunication trope was here in spades. Why say a simple sentence to your partner when you can hold it in for years? Why speak your mind when you can just smile and swallow your anger and let resentment fester? And so these hapless people carried on, unable to discern why they were unhappy with themselves and their partners.

This is written with an ensemble cast. And while I don't necessarily mind such a structure, it is imperative that each character feels distinct and stands out on their own. Otherwise, they all just blend together and you start having trouble keeping them apart. And unfortunately, that's what happened here.

When you have so many unpleasant, emotionally stunted characters, it can make the whole thing feel off-putting. What should've been a group of friends discovering themselves and growing wiser instead turns into a shallow spree of mean girls and guys learning lessons they should've figured out a decade ago.

Speaking of mean, at one point, the story references Mean Girls (one of the sharpest satires on the school experience from the female perspective), so I have to wonder if that was the author's intention. But without the humor and insight that made the film so successful, what we have left here was just... mean girls.

So I leave this review with a selection of quotes from the book, all of them gems.

She had checked her reflection and noticed, with complete horror, a hair poking from her chin. She had tried to grab it with her fingernails, but it had been futile, and so she’d spent the entire walk trying to hide her face.

She spent two hours studiously ignoring both the soccer and the other parents while she played with her phone. She knew it was antisocial, but she had real friends.

It was how they survived parenthood and life with small children: They took turns dosing themselves with weed, mushrooms, and booze, whatever made the hard edges softer.

Readaroo Rating: 2 stars

With no control and no means of escape, this made the first 122 seconds of flight the most dangerous part of any mission aboard the shuttle.

There is something so monumentally heartbreaking about the Space Shuttle Challenger disaster. Even though it happened many years ago, the grief surrounding it still lingers. Seven bright souls, who gave so much to be on the front lines of science and space, had their lives extinguished in a moment's eye.

Going into this book, my technical knowledge around the explosion was fairly scant—I knew there was a malfunction in an O-ring, a cheap piece of rubber meant to seal something vital in the solid rocket booster. But as it turns out, that was just part of the story, and maybe not even the most important part.

When you look at an undertaking like the Space Shuttle program, it's not an exaggeration to say that it's unbelievably complex, not just technically, but also the sheer scope of the project, the timeline, the numerous moving parts, and all the people involved—the engineers, the managers, and of course, the astronauts. Adam Higginbotham took this intricate, convoluted, often perplexing pile of information, and carefully and methodically broke it down, bringing this tragedy and its entire series of precipitating events to clarity.

This is narrative nonfiction at its best. Such a topic is not easy to tackle without it turning dry, but it never does so in the author's capable hands. Though this is as comprehensive as you can get, every page, every chapter, every moment of this story felt riveting. In fact, if you asked me, this was as exciting and thrilling and ultimately horrifying as the best of its counterparts in fiction, and the fact that it really happened only adds to the appeal.

One thing the book highlights is that when it comes to catastrophic failures like this, it is never just a one-time thing. It is often a series of mistakes, any one of which if examined and taken seriously and mitigated, would have likely led to a very different outcome. But instead, each mistake and the warning it carried of impending doom was allowed to stand, incorrectly assessed as safe and acceptable, until we reached the point of no return.

The hubris of NASA and Morton Thiokol laid down in these pages was hard to take. The managers at these two organizations viewed each lucky escape (and there were many of them when it came to the O-rings) as yet another sign of their wisdom in pushing ahead with the missions, instead of what it actually was, which is a harbinger of larger problems to come. We obviously know what is going to happen and they do not, yet we must follow along as they blunder and congratulate themselves, all the while inching closer and closer to disaster.

The mechanical tolerances between each segment of the rocket were so tight that the smallest contaminant caught between the O-ring and the metal faces of the joint—a fleck of lint, a single human hair—could cause a leak.

But it is not all hopeless. Even in this toxic environment, there were engineers who did the right thing. They spoke up and went against their colleagues and management, they worked hard to find solutions to the O-ring problems, and when the crucial moment came, they sounded the alarm and did all they could to try to call off the launch. I am glad, at least in these pages, that they are given the recognition they deserve.

Maybe the biggest thing that stands out to me here is that this tragedy felt inevitable. If not this instance, then it would've happened to a different shuttle and a different mission and a different crew somewhere down the line. Because the underlying issue wasn't technical, it was human. The insidious attitudes of the people calling the shots, the callous disregard for safety, the complete and utter breakdown in communications, those are all things that are hard to fix, even after the O-rings no longer pose a problem.

The book closes out on a note of hope but also a warning. The Space Shuttle program after the Challenger explosion proceeded safely for 17 years, before Columbia blew up on reentry in 2003, yet again plagued by the same sort of miscommunication, complacency, and management brushoffs that brought down its sister ship so many years prior. The point of history is so we don't have to repeat the same mistakes again, yet we do.

And so as we look towards a new era of space exploration with Artemis and beyond, the crux of this book and its cautionary tale within remains—have we really learned our lesson?

"The crew of the Space Shuttle Challenger honored us by the manner in which they lived their lives. We will never forget them, nor the last time we saw them, this morning, as they prepared for their journey and waved goodbye and slipped the surly bonds of earth to touch the face of God."

Readaroo Rating: 5 stars!

DNF - You know what they say, there's a first time for everything. And so A Psalm for the Wild-Built gets the ignominious distinction of going down as the first time ever I've given up on a novella, because I honestly can't stand to go on for another page.

There's something about Becky Chambers' writing that just doesn't work for me. How to describe it? Obviously, I know she writes cozy, so I try to align my expectations accordingly, but that's not quite it. Rather, it feels like everything is filler in service of a broader message. There's so much description and so much information, yet there is no point in knowing any of it. It's like all worldbuilding and setup, but the whole story consists of nothing but that.

Put another way, stories are normally either character driven or plot driven, and I happily accept both. But here, the characters aren't fleshed out and there's no plot whatsoever. Instead, the writing feels predominantly message driven, which I have a lot of trouble with. My mind keeps blanking out because I'm not actually reading anything of substance, so I can't retain any of it, no matter how hard I try.

It honestly pains me to finally get to an author everyone else is raving about, only to find out unequivocally that they are not for me. I have now read two Becky Chambers (her two most popular ones) and both were DNFs for me. That is about the worst I have ever done, but it is what it is. At least now I know for certain and no longer have to wonder if I'm missing out on anything.

Readaroo Rating: 2 stars

DNF - I think I started with the wrong Becky Chambers, because what in the galaxy is going on here? Or rather, not going on?

I knew before I started that this was a cozy, but I didn't realize cozies could be so low stakes as to be no stakes. So far, we've met every single resident on the spaceship, each overly friendly and sweet in their own way. We've also engaged in thinly veiled lessons on not making assumptions about other cultures and how every person can be beautiful no matter what they look like, along with an in-depth discussion about AI sentience and autonomy.

That's all great, don't get me wrong. But where is the tension, the plot, the anything? So far, my jaw's been getting a good workout from excessive yawning, but that's about it.

It's totally possible that if I kept going, this would've grabbed me eventually. But in my effort not to put myself into reading slumps, I think I'm going to call it. I'm not giving up on Becky Chambers just yet though. I'm going to move on to her novellas and see if they're more my speed.

Readaroo Rating: 3 stars